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Act 4 Scene 5
With fewer out of the ozone notes than " The Star-Spangled Banner ," the song provides an easier way to start off a school day, yet there has always been some irony to America's alternative anthem. Anyone who has ever watched Wimbledon tennis, English rugby, or the Olympics knows that Great Britain's national anthem, "God Save the Queen," has the same melody. And if you really know your British history, you know that the British anthem is almost a century older than the American song the melody itself is even older. Which begs the question: why would an American songwriter, still celebrating America's hard-won independence and only a few years after the War of , pen a patriotic song that is nothing more than a British knock-off?
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The answer is both simpler and more complicated than you might think—both more innocent and, to some, more embarrassing. When Samuel Francis Smith wrote the words for "My Country 'tis of Thee" in , he both was and was not bowing down before the foreign song. Smith was 23 years old and studying theology at Andover Seminary when a local choir director, Lowell Mason, asked him to translate some songs from a German songbook. Smith really liked one of the tunes and decided to write his own words to fit the music.
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The first verse became the song commonly sung today: My country, 'tis of thee, Sweet land of liberty, Of thee I sing; Land where my fathers died, Land of the pilgrims' pride, From ev'ry mountainside Let freedom ring! Smith later said that he was drawn to the tune because it sounded patriotic and that he had no idea that it was the British anthem. He said that he had never heard the tune before, and he had certainly never sung "God Save the Queen. True, the musical origins of "God Save the Queen" are obscure.
Some music scholars trace the song to various folk melodies from the early s. Some find hints of the song in the work of late 17th-century British composer Henry Purcell. Still, others argue that German composer George Frideric Handel first used the melody in his work.
The German songbook that Smith found the melody in may have included the version written by Handel, or it may have included a version written by Joseph Haydn for Emperor Franz of Austria, though Haydn first heard the tune himself on a trip to London. All, however, agree that in "God Save the King" made its way into print and that in , a performance of the song at the Drury Lane Theater rocked.
To be fair, it's not like Smith would've heard the song on the radio back then, but still, it was a pretty well known song. The tune was used for a hymn included in American composer James Lyons' collection of church music published in For let America Thy praise resound. Joy to our native land! Let every heart expand, For Washington's at hand, With glory crowned.
In other words, the song and its melody were widely known in both Britain and America long before Samuel Smith wrote the lyrics for "My Country 'tis of Thee. After all, the man did become a Baptist minister; maybe he was telling the truth. The final triumphant lyrics include the phrases "ever-burning fire", "ever-door", "ever-life", and moving "from the dark into ever-day", so that the play concludes with a strong implication of eternal rebirth Act 4. Upon its original release, it received generally negative reviews.
Rolling Stone was very harsh, saying that the album was "a pop potpourri of Paradise Lost and Winnie The Pooh , among many other literary resources, not to mention a vast array of musical ideas derivative of influences as far-flung as Purcell , flamenco and modern jazz ", with the final judge of the album as an "expensive, tedious nonsense" piece of music. A Passion Play rattles with emptiness".
Bangs concluded: "I almost like it, even though it sort of irritates me. Maybe I like it because it irritates me.
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But that's my problem". The band is at its peak form, sustaining the tension and anticipation of this album-length piece across 45 minutes, although the music runs out of inspiration about five minutes before it actually ends". Despite the reviews, A Passion Play sold well enough to reach No.
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In the United Kingdom it reached only No. A low point occurred when Jethro Tull's business manager, Terry Ellis , announced in Melody Maker that the band would retire from live performances in response to negative reviews of the album and concerts. This was just a publicity stunt of which the band had no knowledge; Anderson felt it made them look petulant and brought them the wrong sort of publicity.
Subsequent to the original release, the album was released on CD. Later, in March Mobile Fidelity Sound Lab released a CD, which indexed tracks along the lines of, but not quite matching, the radio-station promo see below and in a remastered CD version with an additional video track was released.
It extends the track about another 45 seconds.
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The sound at the end of side one was a nod to children storytelling records which signaled the child or parent to flip the record over. Side two begins where it left off. However, on the remastered CD, the second part begins with the full story so that it does not get cut off in the middle.
The discs are packaged in a box set along with a book featuring interviews with Wilson, dancer Jane Eve, spun man Chris Amson, plus the memoirs of the Reverend Godfrey Pilchard. These titles were provided by Anderson for the DJ pressing of the LP, though they were not included for the standard pressing. The benefit of the latter, being an uninterrupted experience, with musical passages that crossfade.
All songs written by Anderson unless stated otherwise.
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From Wikipedia, the free encyclopedia. Jethro Tull. Yes, the Tally Ho was a real place. So, by then had given up the janitor job that gave him access to the studio. They sang the song over and over again until past the time the sun came up 'cause they couldn't believe how good the song turned out. You forgot to mention Ramblin Jack Elliot. So they all turned 33 that year. Flag catmet on October 05, Song Meaning This song is about the musician lifestyle.
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